Friday, March 20, 2020

Revenge his foul and most unnatural murder Essays

Revenge his foul and most unnatural murder Essays Revenge his foul and most unnatural murder Paper Revenge his foul and most unnatural murder Paper Hamlet then turns his fury back on by talking to himself and showing that if he were not a coward, Claudius would be dead, ere this/ I should ha fatted all the region kites/ With this slaves offal refering to kites as vultures picking off dead bodies (of claudius? ) and he then explains: Why, what an ass i am! This is most brave/ That i, the son of a dear father murdered, Prompted to my revenge by heaven and hell/ must like a whore unpack my heart with words/And fall a-cursing like a very drab. Hamlet here explains that he lines of the speech performed by the Player were just actions performed without soul, like a whore and that Pyrrhus was destined to kill Priam, and he chose to fill his destiny by matching his fury and causing bloodshed. Shakespeare explains through Hamlet that intensifications are what fantasy craves when it becomes a substitute for the life of the heart. During the play, we find that Hamlet has been given a different voice when his brain thinks about a situation, because his speech becomes clearer and more direct, where when his heart speaks, we find that he spews out his feelings of sadness. An example of his more direct speech comes in when he plans a play to be acted out to Claudius: I have heard/ That guilty creatures sitting at a play Ill have these players/ Play something like the murder of my father/ Before mine uncle / I know my course. In doing this, he hopes to expose Claudius by force. Schlegel argued that Hamlet passes from religious confidence to sceptical doubts, where Hamlet is keep to avenge his Father, Prompted to my revenge by heaven and hell, where in his soliloquy in act 2 shows that he is not so sure: The spirit that i have seen/ May be a devil, and the devil hath power/ Tassume a pleasing shape, yea, and perhaps/ Out of my weakness and my melancholy/ As he is very potent with such spirits/ Abuses me to damn me. Sir Thomas Browne suggested from this that apparitions and ghosts of departed persons are not souls, but walks of devils which prompt us into devilism and stray us from the path of God, where Hamlet is demanded by the Ghost to Revenge his foul and most unnatural murder and revenge is forbidden to Christians (Where Hamlet is a Christian prince). Hamlets job was to make sure that Claudius was guilty, so that his reason for revenge could remain neutral. The debate in which he found himself stuck in was that Death is the punishment/relief of God, and if he was to murder Claudius, he would be putting himself in Gods place, i. e blaspheming. Hamlet questioned if assassination was the only way of punishing in practice? Shakespeare gives Hamlet an alternative plan, based on his religious view that murderers proclaimed their malefactions, and proclaim meaning to state publicly, which would ultimately dethrone Claudius and save Hamlet from damnation. However, this plan would fail the final request from the Ghost and would oppose his fury. Shakespeare didnt let Hamlet follow his own mind because the play would fail as a tragedy. In conclusion, Hamlets soliloquys are significant because he, being the main character, has time to explore and share his deepest emotions, ultimately showing how the play is a tragedy, and ideas such as religion within Hamlets mind when making decisions such as whether to murder Claudius or not, and lastly his soliloquys show how he consults his heart and his mind, showing his self-discipline and power which in the end makes Hamlet a hero. Bibliography: * Hamlet William Shakespeare Heinemann Advanced Shakespeare, 1996 * Shakespearian Tragedy John Drakakis Longman Critical readers, 1992 * The Tragedy of Hamlet, Prince of Denmark William Shakespeare Penguin Books, 2002 * York notes on Hamlet Longman Critical Guides, 1980 * Schlegel www. wikipedia. com, Shakespeare and Tragedy * Sir Thomas Browne www. wikipedia. com, Ghosts and apparitions in literature.

Wednesday, March 4, 2020

Ask An Editor Why Are Textbooks So Bloody Expensive

Ask An Editor Why Are Textbooks So Bloody Expensive Ask an Editor: How are textbooks made and why are they so damn expensive? Karrin Marie Varucene is a Reedsy editor with seven years of editorial experience, including development editing, copy editing, and proofreading. She gained her editorial start in educational publishing and has since groomed her skills with creative nonfiction manuscripts and digital content marketing.I don’t think anyone ever wakes up one day and thinks, â€Å"I’d like to be an editor of college textbooks.† I certainly didn’t when I decided to pursue a career in publishing. I loved reading, I loved writing, I enjoyed the process of revision - of making something good, better. I envisioned working with famous authors on future bestsellers.It was quite by accident that I stumbled into educational publishing, but with a B.A. in English and having just returned from a year teaching English abroad in China, I found it to be a logical and worthy fit.Despite having used textbooks throughout their education, most people know very little about the textbook busine ss. So here are answers to questions I’m often asked about my work.Where does the idea for a textbook come from?Acquiring a first-edition textbook usually happens one of two ways:1) The author seeks out the publisher, often contacting the Acquisition Editor with a book proposal and sample manuscript. The proposal would, of course, include a summary of the book's content, the course for which it is intended, a list of competing textbooks, and what would make this book different from similar ones on the market (and therefore worth publishing).2) The Acquisition Editor identifies the need for a particular book for a particular course. S/he will go to educational conferences and search for well-established instructors who would be a good fit, based on professional experience, for writing that book.How do you decide what goes into textbooks?While these are certainly primary contributors to the rising cost of textbooks, I would add to this two additional factors:1) Permission to us e the additional materials included to engage students and appeal to a variety of learning styles - anything beyond the text originated by author or Development Editor - will cost the publisher or author. These costs have risen steeply over the years as publishers have to request not only print rights but also now electronic rights for e-book versions of the texts. Those who hold the rights to those materials have watched textbook prices soar and therefore want a larger share of the growing profit pie (see self-perpetuating cycle above).2) Let’s not forget a school’s bookstore, which often adds a hefty markup on top of an already significant list price to turn a profit of its own. Why are textbooks getting more expensive? An academic editor answers that question, and more! So yes, textbooks are expensive. But they also help shape a student’s future, whether teaching him to write a logical, coherent, grammatically correct essay or teaching her the fundamentals of psychology, which may lead her to pursue a career in child psychology. And knowing that I have a hand in shaping those futures? Well, that feels pretty good.What other burning questions would you like to ask an Academic Editor? Drop them in the comments box below and Karrin will do her best to answer them!